Pet?cz has published around 25 books, including poems for adults and children, essays, fiction and reviews. Pet?cz poetry volumes include the book A tenger dicserete (1994, ISBN 963 7971 51 3),b[?] and the poetry collections Meduza (2000, ISBN 963 9048 83 6) and A napsutotte savban (2001, ISBN 963 9243 32 9).d[?] He also published a "collected poems book" under the title Majdnem minden (Almost everything, 2002, ISBN 963 9243 56 6).

He also edited several volumes of avant-garde literature and worked as organizer for a variety of events showcasing experimental literature. He also was the editor of Medium Art, a Selection of Hungarian Experimental Poetry.[4]a[?] In the eighties he was one of the leaders of Hungarian avant-garde poetry,[5] having begun to work on sound poetry during the period.[6] His visual and concrete poetry is well known. Bela Vilcsek writes about his poetry: Legends and extremes accompany Andras Pet?cz on his home ground. He always has a dichotomy, either wanting to pay respects to classicism or to modernity, conservatism or avant-garde, sonnet or free verse, tradition or the new. In his mid-thirties, he already commands an authoritative reputation with his life-work, in both its quantity and quality. There are few writers like this among those in his field.[7]
Prose

The more than six prose books Andras Pet?cz has published contain essays and reviews such as Idegenkent, Europaban (As a Stranger in Europe, 1997, ISBN 963 9101 02 8), a series of short stories called Egykor volt hazibarataink (Once We Had House Friends, Chapters from a Family Saga, 2002, ISBN 963 547 632 9), and two novels A szuletesnap (The Birthday, 2006, ISBN 963 9651 20 6) and Idegenek (Strangers, 2007, ISBN 978 963 9651 54 8).
The Birthday

The novel is a family story over a period of 30 years. Tony the little boy narrator is special in that he does not get older. He remains a child as he looks at events around him. Everyone is preparing for the birthday of the head of the family while they look at the Big Photo Album. The 30 years of the novel brings to life what happened from the early sixties to the nineties, how people lived in Central Europe and refers to the change of system in Hungary in 1989. The little boy narrator, still waiting in vain for his father at the beginning of the celebrations, becomes a man due to his missing father and his memories. He tells the family stories in one breath using spoken expressions and personal remarks.[8]

Karoly D. Balla writes about A szuletesnap: “The author, who is himself on the threshold of dreams, redeems historical and family tragedies with angelic good humour, and what might make an adult grumpy and ill is rendered tolerable by the imagination of childhood memories and the genuineness of the hope in them.”[9]
Strangers

In the novel an eight year old girl learns to lie in order to survive. It is not clear exactly where and when Strangers takes place. Somewhere in Europe, or the edges of Europe, but it could be somewhere in America or Asia. Perhaps in the twentieth century, but it could be the first decade of the twenty-first century. As the subtitle says, the story takes place thirty minutes before the war. The little girl maintains human values even in a world of terror and oppression. Terrible things happen to small children on a daily basis. Across the border is the free world where there are no soldiers in charge, where you can travel freely. The free world might be reached through a rat infested tunnel. The novel deals with events that have already taken place in the 21st century and turns concrete events into fiction. It elaborates the terrorist atrocity of Beslan in Russia.[10]

Gyorgy C. Kalman writes about Idegenek: “In the world of the novel ? it is difficult to interpret Pet?cz’s work any other way ? everyone is an outsider. As they are in the outside world (suggests the novel). For in this world (in the novel and outside) the fact of being an outsider means to be vulnerable to a deadly threat (or is itself a threat), it means oppression, helplessness and determined opposition. Being an outsider is not just about a different use of language (or using a different language), clothes, skin colour or customs, but is embodied primarily in oppression and power ? wherever the outsider may be. To be more precise, the defenceless and those in power are both outsiders for each other, and no matter who is in either position, for everyone else too.”[11]
Prizes

Pet?cz has received numerous literary prizes and awards for his work in literature, including the Lajos Kassak Literary Prize in 1987, which he received for his experimental poetry from the distinguished avantgarde literary journal Magyar M?hely (Hungarian Workshop).

Pet?cz's poem "Europa metaforaja" (Europe, metaphorically) won the Robert Graves Prizec[?] for best Hungarian poem of the year 1990.

In 1996 Pet?cz was awarded the Attila Jozsef Prize by the cultural part of the Hungarian government[12] as an official recognition of his work to date.

He is also a UNESCO-Aschberg Laureate, having been granted a bursary in 2006 for the residency program at CAMAC (Centre d’Art. Marnay Art Centre) in Marnay-sur-Seine.[13] to write a new novel.

In 2008 he received the Sandor Marai Prize[14] awarded by the Hungarian Ministry of Education and Culture, for his novel Idegenek (Strangers).
Participations

Andras Pet?cz has been to numerous writers’ residences and has been a guest at numerous international writers' meetings. He spent three months in the United States in 1998, where he took part in an international writers’ seminar within the framework of ⇒the International Writing Program (IWP) in Iowa City. While there, he took part in events with about 25 writers from all over the world, including Israeli prose writer Igal Sarna.

From the IWP invitation, Pet?cz contributed to several readings, including in New York, San Francisco and Portland, Maine. Similarly, he spent a month in 2001 at the Yaddo Art Center in Saratoga Springs, New York,[15] where, among others, he met Rick Moody, the American prose writer.