【New Wave】ニューウェーブ Vol.8【Post-Punk】

【New Wave】ニューウェーブ Vol.8【Post-Punk】 at NATSUMELOE

482:ベストヒット名無しさん
20/09/18 07:11:35.36 U6J2V/Dd.net
オヌヌメ
URLﾘﾝｸ(www.discogs.com)

483:ベストヒット名無しさん
20/09/26 04:13:48.58 kpgKVbyZ.net
URLﾘﾝｸ(i.imgur.com)

484:ベストヒット名無しさん
20/10/23 09:11:17.63 8w1S6N20.net
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485:ベストヒット名無しさん
20/10/25 23:19:30.32 86CVJaLa.net
こういう死んだスレに書くのもあれだが
Steve Kilbey\1987-The Slow Crack
87年でこういう曲調早くない？
これ以前にあった？
このミュージシャン
ぐぐってもあんま出ないんだけど

486:ベストヒット名無しさん
20/10/25 23:20:21.45 86CVJaLa.net
あ、曲は04-A Favourite Pack Of Lies.mp3

487:ベストヒット名無しさん
20/11/05 21:11:59.00 rxPc/Lam.net
URLﾘﾝｸ(www.youtube.com)

488:ベストヒット名無しさん
21/05/15 10:01:30.06 6X6o9vmh.net
書き込めるかテスト

489:ベストヒット名無しさん
21/05/21 20:36:31.84 Bhqge8xe.net
はい

490:ベストヒット名無しさん
21/05/22 00:42:36.18 IQyp2zMd.net
>>1
６年前からスレ立てたりしてたんだな定義馬鹿ｗ

491:ベストヒット名無しさん
21/05/22 00:56:46.18 IQyp2zMd.net
11ベストヒット名無しさん2015/11/18(水) 00:14:50.42ID:4yui9/k3
何かになりたくてなれなかったカタワオヤジ
今日も欲求不満全開デス！

12ベストヒット名無しさん2015/11/18(水) 00:16:20.76ID:4yui9/k3
しゅみは、あまぞんれびゅーでかいたひとのわるぐちをいうことです(；ﾟ(OO)ﾟ)ﾌﾞﾋｲｲｲｨｨ-

13ベストヒット名無しさん2015/11/18(水) 00:18:40.26ID:4yui9/k3
ねおあこだいきらいぺっぺっぺっ♪

↑あんま煽り方変わってないのなｗ

492:ベストヒット名無しさん
21/05/22 01:03:21.00 IQyp2zMd.net
このスレ読むとわかるけど６年前の時点で完全にNW初心者じゃんｗ
フールズメイトのバックナンバーでお勉強し出したのがこのあとじゃね？
それですっかり選民意識持っちゃって洋楽板で堂々のデビューみたいなｗ

493:ベストヒット名無しさん
22/02/21 15:00:07.63 g0wfGX6W.net
URLﾘﾝｸ(www.youtube.com)
オンリーワンズのこのライブすごく良くないか？
オーディエンスのキッズたちのポゴダンスも楽しそうだし当時の雰囲気が良く伝わってくる。
この会場で一緒に踊りたいわ。

494:ベストヒット名無しさん
22/10/15 18:57:34.75 UycKSFd2.net
Swans Wayのアルバム欲しいんだけどCD2万くらいする…(汗)
URLﾘﾝｸ(youtu.be)

495:ベストヒット名無しさん
22/11/20 22:49:51.74 xiQrHF5e.net
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URLﾘﾝｸ(i.imgur.com)
URLﾘﾝｸ(i.imgur.com)
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URLﾘﾝｸ(i.imgur.com)
URLﾘﾝｸ(i.imgur.com)
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496:ベストヒット名無しさん
22/12/24 08:08:29.82 hC0vHLrb.net
From Mike Cooper
Playing With Water is a novel written by James Hamilton-Paterson. I was introduced to his writing by the Australian poet Peter Bakowski who gave me a copy of his book ‘Seven Tenths - The Sea And Its Thresholds’; a book that influenced my record Globe Notes and subsequent works immensely. Another of his books ‘Playing With Water: Passion And Solitude On A Philippine Island’ is about exactly what the title describes it as and provided me with the title.
The first edition on my Hipshot c.d.r label in 1999 was titled Kiribati and was dedicated to the people of that Pacific Island nation as I shared their concern, then as now, with the fact of rising sea levels due to global warming which threatens to destroy or make uninhabitable their low lying island homes. That album was the start of a long musical and artistic journey for me.
In the years that followed I have visited many places around the North and South Pacific, South East Asia and The Caribbean that are also in danger of being inundated as water levels rise, both coastal and inland, due to melting ice or weather patterns that change drastically bringing untypical amounts of rainfall.
Cities such as Venice, Bangkok, Jakarta, London, Manhattan or any coastal, or near a major river, city will be subject to serious flooding and subsidence and may well become uninhabitable in the same way in the very near future.
Bangkok was previously known as ‘The Venice Of South East Asia’ and its now roads were once canals. I have been in that city during the monsoon season and seen water coming up through the floor of shops and houses exiting to the street through the door. Jakarta is currently sinking at such an alarming rate that the Indonesian Government is building a new capital city in Kalimantan (Borneo)
Several of my albums subsequent to Kiribati - Globe Notes, Rayon Hula, Reluctant Swimmer/Virtual Surfer, Fratello Mare, Raft, Oceanic Feeling-Like (with Chris Abrahams) and now Playing With Water are all conceptually concerned with this same subject.
Another conceptual thread connecting them is my concern for the co-habitation of the human and non-human world expressed through my use of unprocessed avian or insect field recordings of song, signs and signals. Climate change, as well as the destruction by humans of the natural habitat of many species, is disturbing the balanced relationship we need to have with nature. Indigenous and small, often nomadic, coastal communities are very aware of this balance and the incursion of the industrial wor
There are field recordings on this edition from Pulau Ubin, Ko Phayan, Ko Lanta, Sri Lanka, Bangkok, St.Lucia and Martinique; all places that can look forward to or are already witnessing the Postdiluvian Future.
We could quite possibly all be looking forward to an island existence in that future where all of our cities, or Wetropolis, will be floating worlds of Aquatecture and Aquaculture will provide all our food, powered by wind, solar or mechanical energy from the tides and the waves. Oceans cover 70 percent of the Earth’s surface making it the worlds largest solar collector - Seven Tenths
In 1957 the Rio Turia that ran through the city flooded to such an extent, killing 60 people, that it was diverted to the south and what was the riverbed turned into a park which runs through the centre and surrounds the old part of the city. Within a few weeks after finishing recording this collection in my studio in Valencia the city experienced the biggest storm recorded in over a hundred years. Within a day the normally 135 metre wide, several kilometres long, Malvarrosa beach and the 10 metre paseo and road beyond it was completely flooded, as were the restaurants lining it. After cleaning and repairs some weeks later they re-opened only to be closed again two weeks after by the pandemic and subsequent lockdown in which I am now writing this.
My guitar playing here, as always, draws on a number of styles and genres influenced by Hawaiian Slack Key and Lap Steel guitar.

497:ベストヒット名無しさん
23/02/08 12:54:47.73 Hmdg5Y7N.net
オール・アバウト・YUI 〜YUI 的分析解体新書〜 (注: \\,$$をhttpsに！)

h\\ps://ja.wikipedia.org/w/index.php?title=ディーヴォ&oldid=93669155
h$$ps://en.wikipedia.org/w/index.php?title=Devo&oldid=113600533

498:ベストヒット名無しさん
23/02/15 17:40:47.78 sN4qAP7m.net
Red Guitarsが再発するそうだ
URLﾘﾝｸ(merurido.jp)

499:ベストヒット名無しさん
23/02/15 22:05:49.85 abSeq7vp.net
ポルターガイストの限定２００枚プレスの２枚組アナログ購入

500:ベストヒット名無しさん
23/02/15 22:54:39.52 abSeq7vp.net
“When you get down to it all, music is an assemblage of sounds.“

I caught up with Will to ask him a few questions about the Glide/Assemblage project and of course a few questions about the Bunnymen. And which three albums he would save from his burning house.

Art and music

Will’s story as an artist is set out on his website. He has continually sought to explore multi-media and avant garde art throughout his career, stretching back to Founder, his industrial experimental music collaboration with fellow Liverpudlian Paul Simpson in 1978.

Exploring his work as a solo artist gives an insight into a creative mind that is constantly experimenting with sound, finding new twists and turns of noise, playing with effects, creating plashes of dark, light and colour with music. Will’s sound as a guitarist in the Bunnymen is unique, a self-taught layering of art-rock influences, twinned to innate sense of how a guitar motif can open and drive song. See more on Killing Moon later in the blog..

Will continues to be busy on many fronts ? his memoir Bunnyman, released in 2021 was a Sunday Times best seller. It shone a light on Will’s childhood, how creativity and music became that window away from the mainstream of dour 70s Britain, ignited by punk. The memoir finishes just as the Bunnymen take off and there is apparently another volume on the way. The Bunnymen play some festivals and tour Ocean Rain later this year.

Nearly 10 years on from experimental set Assemblage 1/2 Will has returned to his persona as Glide to create Assemblage 3/4. Will explained to me about the vision of a package “I do see the whole series of my solo efforts as an art project.” The cover art is a high resolution picture of a flaking cobalt blue metal sheet, a rivet leaking orange rust ? Will’s photographic style perfectly syncing with the dystopian soundscape of the album.

Assemblage 3/4 is two suites of instrumental ambient noisescapes, that builds up through peaks and troughs of swirling synths, long gliding guitar sounds, part-solos and motifs, with bursts of feedback punctuating the backdrop. Will elides the balance between synth and guitar, drawing on a whole host of influences.

Sonic Influences

I heard bits of Tangerine Dream, Radiophonic Workshop, Meddle era Floyd, The Orb, Flying Saucer Attack in there. The Floyd outtake ‘Nothing Part 14‘ (from the Early Years box set also spring to mind ? the proto-ambient fragments they spliced together to later form Echoes). Will explained his many influences on Assemblage: “I have always loved electronic music: Brian Eno is a big hero of mine. Kraftwerk and Tangerine dream are in there too. Yes I love all of those that you mention. Plus the white Noise, Cluster, Harmonia, Terry Riley, and Boards Of Canada. There are too many to mention really.”

I also asked Will which guitarists have been the biggest inspiration in terms of sound and experimental approach to noise/feedback ? he responded with “Stirling Morrison, Lou Reed, Hendrix, Phil Manzanera”. It’s interesting to see that Sterling Morrison is first on Wil’s list and he doesn’t get the recognition he deserves. I love the influence of Sterling’s lead guitar lines on Will’s guitar approach, particularly on the first two Bunnymen albums. (This Far Out Magazine article is great on the five tracks that prove Sterling’s genius).

Assemblage 3/4

The album is best played loud ? let it all swirl and pulse through the speakers and around you into the room. As well as the synth-guitar interplay I particularly like the bass line that jumps in from about 12 minutes on part 3. The bass riff then dissolves into a building synth riff that has a Hawkwind ‘lift off to space’ feel. Part 4 has some synth chords that seem to hang in the air forever, that deep resonating bass again, guitar piercing with greater intensity. All in all, an epic slice of art-rock.

501:ベストヒット名無しさん
23/02/15 22:55:04.85 abSeq7vp.net
I think the first four say it all they cover all our collective influences and moods.

Lastly, if you had the chance to re-record one album from the Bunnymen catalogue, is there one you would revisit? And why?

I would only like to make the sounds a bit richer the bass could do with some more bass end. But all in all pretty happy with them. And when I hear the records (that’s not very often), I am always surprised and hear something I have forgotten I had played in the background.

The three records Will would save from his burning house?

Having read this 2018 article about Will’s record collection on Long Live Vinyl I couldn’t resist asking which three albums he would save from his burning house (a regular question I’ve also asked to Peter Paphides, Guy Pratt, Pete Wilkinson among others).

No messing here ? Will would be straight to the B section and to grab “My copy of Low, Ziggy Stardust, and Images by David Bowie.” A reminder of the indelible influence Bowie had on the formative 70s years of the post punk generation. My copy of Hunky Dory would always in be my hand in that situation.

In the Long Love Vinyl interview this quote from Will about records is just a perfect encapsulation of the magic of playing records:

“Records are time capsules, aren’t they? They’re just waiting for you to get them out of their covers and put them on the record player and bring them back to life; all of the things you were doing when you first heard that record, or for the years you’ve been playing that record, it’s all there. CDs are just so shit, aren’t they? You can’t wrap a memory around an MP3, or go into a shop and have the ritual of buying them.”

Order Assemblage (be quick!)

Assemblage is released on Aviator Records on 3 February ? pre orders are already open on the website. The vinyl and art prints are already sold out but there are some CDs still left at time writing. Thanks again to Nick and team from Aviator Records who continue to pull together great vinyl packages for us punters.

You can also buy/stream some of Will’s solo back catalogue over on his Bandcamp page, including Assemblage 1/2

You can see Will with the Bunnymen performing Ocean Rain later this year, accompanied by the Royal Liverpool Philharmonic Orchestra. Four UK dates in September, culminating at London Royal Albert Hall. A beautiful sweeping epic night in store.

Massive thanks to Will for takin the time to answer my questions.

502:ベストヒット名無しさん
23/06/05 15:45:39.66 z7Mvcz5E.net
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